Get a free story when you subscribe

Author, Editor, Media Tie-In Writer

External Forces Can Be A Writer’s Best Friend

Once upon a time, almost three years ago to the day, I got the urge to write a near future SF mystery story set in a subaquatic city involving robotic pets. I had been inspired by a mini-documentary about the AIBO robotic dogs in Japan. It only took me a couple of weeks to write the novella. I knew it was good, but it wasn’t great. I needed another set of eyes on it.

Then, the awesome Marie Bilodeau offered to edit it. She did so in short order and had some insightful things to say about it. While she did love it, there were some definite, specific issues—some of which she outlined in her email to me. The rest she left as comments in the manuscript. I knew she was right about it all, but by that time, the shine had worn off the project, it was just a personal story I had written with no market in mind, and I had other contracted novels to write.

Thus, it languished in my email for three years.

It’s no secret that I’ve been taking the first quarter of this year easy. I’ve pushed myself hard for the last five years (five novels and six novellas and everything else), thus when this year’s contracts got delayed, I decided to relax a little. Until I remembered I had several personal projects I wanted to work on. Which I did…sorta. None of them had due dates or markets in mind. Still, I wanted to work on them while I waited.

Thus, I did—on one of them: Dear Penpal. But mostly I tinkered at it. What should have taken merely a month to write is only 1/3 written in the last four months. As a full-time writer, this won’t do. If I don’t have contracts or deadlines, I still need to write. I have an agent and cats to feed.

Coming to this conclusion, two things in the universe conspired to help me. First, another publishing professional like me (author/editor/RPG writer/media tie-in writer) asked for an accountability buddy on a discord we’re both on. As someone who never wants to be the smartest person in the room, I knew her by her considerable reputation and jumped at the chance.

(As an aside, I’ve discovered the perfect accountability buddy for me is someone I know in a professional capacity, am friendly with on acquaintance terms, and respect, but not someone I hang out with on a regular basis. We chat during our meetings, but it is all work related chat. There’s something about wanting to impress this familiar stranger that really pushes my “get it done” button. But I digress…)

The other thing that happened is that Uncanny Magazine opened up for novellas from May 1-15. At the time I read that, I had about two-to-four weeks to whip my languishing novella into shape and submit it. Suddenly, I had a deadline. Not only that, I had a professional author I was now meeting with weekly to talk about what I did that previous week—did I meet my goals? Why or why not and what’s next?

Long story short—I revised, edited, and polished that SF novella in just under three weeks and submitted it to Uncanny Magazine. Whether or not they accept it (and I hope they do), I’m pleased to have finally finished it. It’s a wonderful story. Thanks to Marie’s astute observations from three years ago, I think the novella turned out pretty good.  

Now, I have Dear Penpal to work on while I wait for the various (editing and writing) projects that are on my radar but haven’t landed yet. After all, I have an accountability buddy to answer to and time to do it. No excuses left.

Meet Jennifer Brozek

Jennifer Brozek is a multi-talented, award-winning author, editor, and media tie-in writer. She is the author of Never Let Me Sleep and The Last Days of Salton Academy, both of which were nominated for the Bram Stoker Award. Her YA tie-in novels, BattleTech: The Nellus Academy Incident and Shadowrun: Auditions, have both won Scribe Awards. Her editing work has earned her nominations for the British Fantasy Award, the Bram Stoker Award, and the Hugo Award. She won the Australian Shadows Award for the Grants Pass anthology, co-edited with Amanda Pillar. Jennifer’s short form work has appeared in Apex Publications, Uncanny Magazine, Daily Science Fiction, and in anthologies set in the worlds of Valdemar, Shadowrun, V-Wars, Masters of Orion, Well World, and Predator.

Jennifer has been a full-time freelance author and editor for over seventeen years, and she has never been happier. She keeps a tight schedule on her writing and editing projects and somehow manages to find time to teach writing classes and volunteer for several professional writing organizations such as SFWA, HWA, and IAMTW. She shares her husband, Jeff, with several cats and often uses him as a sounding board for her story ideas. Visit Jennifer’s worlds at jenniferbrozek.com or her social media accounts on LinkTree.

Browse the archives

You may also like...

Building a Worldbuilding Guide How do you build a world? How do you convey that world to your readers? How do you manage the business of worldbuilding, whether it’s your own world or someone else’s? These are questions that everyone who’s ever worked in science fiction, fantasy, and role-playing games has asked. When Wolfgang Baur asked me to edit an anthology of essays on the subject for Kobold Press, I was both excited and a little overwhelmed. It’s a huge topic. I wasn’t an expert, that’s for sure. But between the two of us, we knew enough worldbuilders that we figured we might be able to get near to answering the question. And thus was born The Kobold Guide to Worldbuilding, a collection of essays by some of the top worldbuilders in roleplaying and in fantasy, with an introduction by Ken Scholes, bestselling author of The Psalms of Isaak. What...

scroll-horizontal

Dawn Vogel is one of those authors and editors working in the publishing trenches that most people don’t know about but should. Here, she tells me how she incorporates real world history that is stranger than fiction into her writing. — The stories I included in my collection, Denizens of Distant Realms, are all secondary world fantasy stories. They didn’t all start out that way, however. The first version I wrote of “Dry Spell” was a historical fantasy story, set in Colonial Virginia. In doing some research related to Roanoke (one of my favorite unsolved mysteries of history), I found an article that talked about extreme drought in the Virginia Tidewater in the late 1500s and the early 1600s. The earlier drought, which lasted three years, might have been a reason behind the disappearance of the Roanoke colonists. (article: https://www.sciencedaily.com/releases/1998/04/980428075409.htm) I also researched the presence of Romani slaves in the...

scroll-horizontal