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Author, Editor, Media Tie-In Writer

2016 Stat Thing

Since I’ve figured out that I’m not going to write any more this year… Final stats for 2016. As a full-time freelancer, stats are important to me. They give me a concrete, discrete measurement for accomplishments. None of the word count below includes social media or blogs.

Year-to-date stats:
Fiction words written: 195,416 (2 novels, 1 novella, 12 short stories, 3 RPG projects)
Article words written: 25,780
My novels/collections edited: 11
My short stories proofed: 9
Other novels/anthologies edited: 14
Events attended: 12

Short Story Submissions:
Total subs: 19
Acceptances: 6 (35% average)
Rejections: 11
Pending: 2

This year was almost all tie-in fiction. 2017 will be all about my new teen series. (And, of course, all the edits for the turned in novels and novellas.)

Meet Jennifer Brozek

Jennifer Brozek is a multi-talented, award-winning author, editor, and media tie-in writer. She is the author of Never Let Me Sleep and The Last Days of Salton Academy, both of which were nominated for the Bram Stoker Award. Her YA tie-in novels, BattleTech: The Nellus Academy Incident and Shadowrun: Auditions, have both won Scribe Awards. Her editing work has earned her nominations for the British Fantasy Award, the Bram Stoker Award, and multiple Hugo Awards. She won the Australian Shadows Award for the Grants Pass anthology, co-edited with Amanda Pillar. Jennifer’s short form work has appeared in Apex Publications, Uncanny Magazine, Daily Science Fiction, and in anthologies set in the worlds of Valdemar, Shadowrun, V-Wars, Masters of Orion, Well World, and Predator.

Jennifer has been a full-time freelance author and editor for over seventeen years, and she has never been happier. She keeps a tight schedule on her writing and editing projects and somehow manages to find time to teach writing classes and volunteer for several professional writing organizations such as SFWA, HWA, and IAMTW. She shares her husband, Jeff, with several cats and often uses him as a sounding board for her story ideas. Visit Jennifer’s worlds at jenniferbrozek.com or her social media accounts on LinkTree.

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Her malady—nightmares that left her bloody—seemed, at first, to be a common self-harm complex. Then I looked at the wounds. The mind is powerful, but I have never seen the mind create wounds like these. Little did I know her wounds were just the first of many mysteries I would face while caring for Josephine.   –Jennifer Brozek, To Fight the Black Wind Not all patients can be cured—or want to be. Psychologist Carolyn Fern’s newest patient suffers from nightmares that leave glyph-shaped wounds across her skin. The case is odd, even for an institution like Arkham Sanatorium, where the unusual becomes the everyday. Things become even more complicated after the young woman claims to have met Malachi—Carolyn’s former patient whose treatment was cut short when he was brutally murdered—in her dreams. What is the link between the two, and how can Carolyn help a patient who, it seems, does not...

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Last night, I went to the SFWA Reading to see my friends Josh Vogt, Greg Bear, and Tod McCoy read. I realized something: I’d missed my SFWA community. These are people I only see at conventions and SFWA events. I’d been so busy with my own stuff lately, and needed some distance from the organization after I stepped down as a Director-At-Large, that I’d pulled away too much. That was the wrong approach, but I suppose it was one I needed at the time. It’s hard to express just how good it feels to be in a room full of like-minded people who all understand why losing one of the greats like Ursula K. Le Guin is such a tragedy or why naming Peter S. Beagle as SFWA’s newest Grand Master is such a joy. So many of the people I met up with last night are at various points...

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