I’ve not yet met C.A. Suleiman but I have met a lot of the contributors to THE LOST CITADEL, all of whom are worth reading. This is one reason why they decided to do a shared world anthology. One I can get behind.
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“The city is called “Redoubt”… and so far as anyone knows, it is the last.
Seven decades ago, there were cities upon cities; kingdoms and nations, the remains of ancient empire. Cultures at war, cultures at trade. Races with varying degrees of alliance and distrust. Humans, elves, dwarves, and others; magic and monsters, rare but real. Regions of desolation, certainly, but also regions of plenty; forests, farmlands, and fields. And so it was for millennia, through two dynamic ages the lorekeepers and scribes called Ascensions.
Until the world ended. Most call it the Fall, but whatever term a given people choose to use, it marked the point where everything—everything—changed. Nations crumbled. Races died. Magic sputtered. Nature sickened.
The Dead woke.”
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The Lost Citadel is a shared-world horror fantasy edited and developed by yours truly, based on an idea I percolated with my longtime collaborator, fantasy and horror novelist Ari Marmell. The first project in the world of the Lost Citadel is an anthology of short stories called Tales of the Lost Citadel (now live on Kickstarter), featuring some of the most acclaimed voices in fantasy and horror fiction
The idea of the Lost Citadel is more ambitious in scope than a single collection of words. Both Ari and I grew up on, and were pretty strongly inspired by, the shared-world fantasy explorations of the late ’80s, especially the setting of Thieves’ World and its signature city, Sanctuary. That series was formative for more than a few fantasy writers, but Ari and I had what we feel is a 21st-century vision of the shared-world approach to world-building and narrative, and that’s what really got us excited.
With this setting, we’re trying to re-define the idea of what it means to “share” a fantasy world, to have different voices and talents come together to build, express, and explore a world with a particular set of themes and aesthetics. We’re working with writers, yes, but also fine artists, musicians, graphic designers, cartographers, and more; anyone whose gifts might help flesh out and embolden the world of the Lost Citadel.
Like in all the best stories, the written word is just the beginning.
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C.A. Suleiman has contributed scores of books to some of fandom’s top properties, including Dungeons & Dragons and the World of Darkness. Along with being the developer of the award-winning Mummy line, he co-authored the flagship game Vampire: The Requiem and created the Egyptian-fantasy world of Hamunaptra (first published in boxed set form by Green Ronin Publishing). He’s especially proud to have shepherded development of the world’s first fantasy campaign setting – Dave Arneson’s Blackmoor – and to have worked alongside its storied creator until his passing in 2009. In addition to the books he’s written and developed, C.A. has written material for board games, hobby periodicals, and of course fiction. C.A. is a long-standing member of the Academy of Adventure Gaming Arts and Design (GAMA), for which he has served for years and as jury foreman for the annual Origins Awards, and is a regular Guest of Honor at hobby and fandom conventions around the world, including a two-time diamond Guest of Honor at Dragon*Con and Fan Expo U.K.
C.A. lives in the Washington, D.C. area, where his band (Toll Carom) is busy toiling away at its latest concept album. Despite the many and varied protestations of his better judgment, he finds himself a regular contributor to the Facebook.
