Press Release
For Immediate Release
WHEN AN EXTRACTION GOES BAD, WHAT’S A SHADOWRUNNER TO DO? TAKE RISKS, THAT’S WHAT.
Award winning author Jennifer Brozek returns to the world of Shadowrun® with a new novel.
January, 2016 – Catalyst games announces a new Shadowrun® title scheduled for publication mid 2017- Makeda Red
Hugo nominated editor, author and game designer, Jennifer Brozek, delves into the Shadowrun® world once more with an exciting new novel. With the success of her first novella, DocWagon 19, Jennifer takes on a new challenge. This time, her Shadowrun® operatives face intrigue, and action.
It was supposed be a simple extraction from the Brussels2Rome party train. With an eclectic crowd, a willing target, and a lot of nuyen at stake, what could go wrong?
Everything—as Makeda Red discovers the hard way. There’s more than one target on the train, and more than one shadowrunner team in play. When someone sabotages the tracks in the middle of the Swiss Alps, she’s forced to extract her client much earlier than planned.
To complicate matters, other survivors are also fleeing the crash for their own reasons. One of them is trying to escape his corporate masters as well, and offers to pay Makeda to escort him to his safe haven.
A paying client is a paying client, and his corp won’t be looking for three people traveling together. Makeda knows it’s a risk, but one she’s willing to take. In the shadows, however, nothing and no one is what they seem. Before it’s over, this already complicated run may be Makeda’s last.
John Helfers, editor and Shadowrun® novel live developer, says this about the new novel:
“I’ve been a fan of Jennifer’s intricate, character-driven fiction for years, and after the terrific stories she’s written for Battletech (The Nellus Academy Incident) and her recent Shadowrun novella DocWagon 19, I can’t wait to see the story she has in mind for her first Shadowrun® novel come to life. Action, intrigue, and suspense aboard a train speeding through 2070s Europe—what could be better?”
Jennifer Brozek is a Hugo Award-nominated editor and an award-winning author. Winner of the Australian Shadows Award for best edited publication, Jennifer has edited fifteen anthologies and is a freelance author for numerous RPG companies. Winner of the Scribe, Origins, and ENnie awards, her contributions to RPG sourcebooks include Dragonlance, Colonial Gothic, Shadowrun®, Serenity, Savage Worlds, and White Wolf SAS. Jennifer is the author of the award winning YA Battletech novel, The Nellus Academy Incident, and Shadowrun® novella, DocWagon 19. She has also written for the AAA MMO Aion and the award-winning videogame, Shadowrun Returns.
When she is not writing her heart out, she is gallivanting around the Pacific Northwest in its wonderfully mercurial weather. Jennifer is a Director-at-Large of SFWA, and an active member of HWA and IAMTW. Read more about her at her blog or follow her on Twitter at @JenniferBrozek.
Publication date is scheduled for mid 2017, so watch Catalyst Games (www.catalystgamelabs.com) and Jennifer Brozek (http://www.jenniferbrozek.com/blog/ ) for more details.

I had the pleasure of meeting Chaz at LepreCon. I enjoy his artwork and his passion. He’s one of the good guys.
—

I call my Patreon the “Ashelon Tarot Project” and it’s been a long time coming. Ashelon is a world that my fiancée, Carolyn Kay, and I are creating. It’s a blend of fantasy and steampunk and takes place in the mid 1800s. A comet struck what is now called South America and it had the effect of revealing all of the hidden faerie creatures the world over – no longer could they hide behind faerie glamour. Not only must they learn to co-exist with humans and their steam technology, but they must also deal with the most unscrupulous villain the world has ever seen… Queen Victoria.
The tarot deck will be divided into 4 courts of 13 cards each. Each of the cards will be a character in the world of Ashelon and will represent a virtue or a vice. You’ll be able to read these cards to tell your fortune but the cards themselves will be much simpler to interpret than a standard tarot deck. For example: You ask the question, “Should I quit my job today?” You turn over a card, and instead of the card being the Chariot like in a normal tarot it will simply say, “Strength”. You could then interpret that as finding the strength to stay because things will get better – or that you need to finally muster the strength to give your two-week notice.
Another thing that will set my deck apart from a lot of the others is that I’m planning on turning each card into its own art print that you can hang on your wall. So if you love the art on a particular card, you can purchase the art from me as an 11×14, 18×24 or even a 24×36 poster. As an illustrator, this is the thing that excites me the most, because I LOVE the idea of everyone having posters from my tarot deck prominently displayed on their walls. I’m even going to have a few exclusive pieces that will only be available to my Patreon members.
If all of this goes well, I plan on creating a booster pack of 26 cards next year which will have 2 new courts and all new virtues and vices that can be added to the 2016 main deck. In the not too distant future, Carolyn will be writing short stories and novellas within the world of Ashelon using the characters on the cards, which will be awesome. I’m also planning to turn the cards into a game and maybe even doing an Ashelon tabletop RPG down the road.
I have a ton of ideas and Patreon is giving me a portal through which I can really explore this new world that we’re creating and it allows me to bring lots of friends along for the ride. This project really makes me happy and it’s only just begun! If you want to see the project for yourself, take a look at: www.Patreon.com/ChazKemp.
Thank you so much for giving me the opportunity to tell your fans about my dream come true, Jennifer.
—
Bram Stoker Award finalist Chaz Kemp embraces an Art Nouveau style that incorporates vibrancy and color into fantasy and steampunk art in a way that is rarely seen. As an illustrator, the influence of Alphonse Mucha is evident in his award-winning work that combines the artistic energy of the Roaring 20s with the untamed possibilities of steampunk and fantasy.
Chaz Kemp is a featured artist in steampunk legend Paul Roland’s book “Steampunk: Back to the Future with the New Victorians”. Amazing Stories magazine featured him in the November 2014 issue, and his work has been seen in other publications such as Steampunk Magazine, Savage Insider and Aurealis. Over the years Chaz has created art for game publishers, sci-fi/fantasy conventions and several book covers including the anthology “Cthulhu Passant” by Travis Heerman & the Oilman’s Daughter by Local Hero Press. In 2012, he illustrated his first graphic novel entitled “Behind These Eyes” written by Guy Anthony De Marco and Peter J. Wacks. The graphic novel was a Bram Stoker Award finalist.
Patreon Page: www.patreon.com/ChazKemp
Portfolio: www.ChazKemp.com
Etsy Page: www.etsy.com/shop/ChazKempIllustration

I’ve already written about what I did in 2015. Now I’m looking forward to what I need to do for 2016. The short version: A whole lot of contracted tie-in fiction, some editing, and a bunch of travel.
Contracts signed: 1 board game mythology/background, 1 reprint RPG fiction collection, and 1 tie-in novel.
Forthcoming contracts: 1 serialized YA tie-in novel, 1 anthology as editor, and 2 tie-in short stories. (As in, discussion is done, I’ve agreed to do it, and we’re just waiting on paperwork.)
Planned contracts: 1 tie-in novella. (Proposal requested. Writing is probably slated for early 2017 if all parties agree.)
Planned editing: 2 novels, 2 omnibuses, 3 novellas, 1 monthly fiction feature, and 1 anthology. (For Apocalypse Ink Productions and Evil Girlfriend Media.)
Events planned: 8 conventions (3 as GoH), 1 workshop, 2 readings, 1 wedding in Iceland.
The writing metrics for 2016 are daunting. It’s about 200,000 words of contract tie-in fiction. This doesn’t count any of the editing for that work or research or one-off anthologies or one-off articles. Or any blog posts. Or any of the 10,000 other things a freelance author-editor does.
What this means is that I’m going to have to buckle down and change my personal working schedule. I’m probably going to have to institute a “no internet before noon” policy to focus on my writing. Leave all the email and such to the afternoon once my word count for the day is done. It is too easy to fritter away my time online, answering emails, reading articles, and watching videos.
Scheduled Appearances:

Tell me something that you’ve always wanted to tell the world about the project.
I can’t speak for other authors, but in my case my writing often reflects some idea or desire that my unconscious mind is trying to share with me, but which because I am such an obvious dunderhead fails to slip through to my awareness. As one example, I’ve committed more than half a million words to the story of a protagonist and his alien animal companion (two novels, three novellas, two novelettes, and half a dozen shorts) that turned out to be all about mourning the passing of my first dog. Finally, someone pointed this out to me and I realized that twelve years of missing her was enough, and I went off to animal rescue and got a new dog.
Another such idea that shows up in my fiction a lot is death, or more specifically how the essence of who we are survives our own mortality. Barsk deals with a lot of topics and themes, including intolerance and friendship and prophecy and history, but the notion that something of us lives past physical death permeates all of these other ideas. That’s the piece I wanted to explore, both overtly and more subtly, in this novel. More importantly, and in keeping with the messages from my unconscious, I suspect that what it’s really all about for me is exploring a way to hold on to those we’ve lost.
Like many people, I routinely see and speak in my dreams with friends and family members who have died. In Barsk I formalized this, conjuring up some plausible and vaguely scientific explanations for the how and why of doing this in the waking world. I’m pretty pleased with the result, which in turn allowed me to tell an interesting story. Ultimately, I suppose I find it all oddly comforting to think that my fictional characters are connecting with their loved ones in ways that those of us in the nonfiction universe can only dream about. It holds out the promise that mortality is not the end of our connection with those dear to us.
—
Lawrence M. Schoen holds a Ph.D. in cognitive psychology, has been nominated for the Campbell, Hugo, and Nebula awards, is a world authority on the Klingon language, operates the small press Paper Golem, and is a practicing hypnotherapist specializing in authors’ issues.
His previous science fiction includes many light and humorous adventures of a space-faring stage hypnotist and his alien animal companion. His most recent book, Barsk, takes a very different tone, exploring issues of prophecy, intolerance, friendship, conspiracy, and loyalty, and redefines the continua between life and death. He lives near Philadelphia, Pennsylvania with his wife and their dog
Website: http://www.lawrencemschoen.com
Facebook: https://www.facebook.com/lawrencemschoen
Twitter: @klingonguy

When it comes to year in review posts, there’s two ways for me to look at it: What did I do? Did I enjoy myself? The short version answer to these two questions is: A lot. Yes.
Being a full-time freelancer, I need personal metrics that keep me going. To let me know I didn’t just spin my wheels. To know that I have done good. I can’t rely on money to tell me whether or not I’ve been productive. The publishing industry is so weird about money and timing. It’s feast or famine… mostly famine. Even if you’re working all the time.
So, to answer the second question first. Did I enjoy myself? On the whole, yes. I’m happier that I’ve ever been. Yes, there were hard times. Yes, I really do understand “leveling up to a better (harder) class of problem” thing. And yes, not everything was a success. But, by and large, I had the best time.
As for the first question of: What did I do? I keep a daily summary log. I need to. I must schedule myself and I must know what I’ve done and when I did it. Thus, I can quantify my freelance year like so:
Honestly, reading this list makes me both proud and tired. I already know I will be doing a lot less of some and a lot more of another in 2016 but that’s for another post in a week, next year.


It’s kind of a fluke that Through the Veil even happened. I got the original flash of inspiration not long after coming home from an SSF convention where I’d gone to a world-building panel. I only went because I wanted to see one of the panelists. I didn’t think I’d need to build worlds from scratch, since I was more of a modern-day, almost-real-world kind of writer. (Yes, that requires world building too, but less.)
Anyway, I thinking about the panel and a thought crossed my mind: If I were going to create my own fantasy world, what would it be like? A moment later, a scene flashed through my mind of a girl in Renaissance-esque clothing running up a hill in tears, looking back at a walled city, and disappearing – then reappearing in a big-city penthouse.
Right away, I knew a lot about her. She was a violinist (like I used to be, but a whole lot better.) She loved the fantasy world and was miserable at home. She used music to cross between the worlds.
I knew a lot about the other world, too. The city she visited was all about order and somewhere in that dimension was a region that was all about chaos. (As a long-time Dungeons & Dragons geek, I’m fascinated by those ideas as well as the difference between law and justice.) Music was supremely important there, and her exceptional talent gave her a special status.
I settled on the name Dedra for kind of a funny reason. A Ouija board once told me I’d have a daughter with that name. It was wrong. But in thinking about a name, I was going over some I’d considered for my daughter, it came to me and I decided it was perfect. So, in a way, it was a self-fulfilling prophesy.
I immediately started writing her story. A few scenes in, back to the fantasy world, I asked myself, “What’s unique about this world?” The character was looking over the city at night and I thought about what would be visible in a world without electricity. It came to me – what if music is visible?
I wrote more, then put it away. I didn’t have much time to write as it was, and I had, months earlier, started a book that was slowly plodding along.
As it turned out, both projects sat for months until I decided to take a step back from an organization I was involved in that had sucked up all of my time. I told myself that was my year to finally get a novel written or admit that I wasn’t going to do it.
I took part in National Novel Writing Month (NaNoWriMo) that November to make myself write every day instead of here and there as the mood struck. I read through the earlier project and realized my heart wasn’t in it. Then I came across Dedra’s story and read what I’d written. It was better than I’d remembered and, even better, I was excited to write it.
I met the NaNo goals and kept going, through December and into January, when I finished it. After lots of editing, it was picked up by Sky Warrior Books. Now I’m polishing up the sequel so I can get it to them soon, and I’m about to jump into the final book in the trilogy.
It’s still kind of surreal to me that this book even happened. It makes me realize how important it is to open yourself to different kinds of ideas, even if you don’t think they pertain to you.
—
Adrienne Dellwo lives in Washington state, where she works as a freelance medical writer, writes and produces indie films with her husband, and is raising a son and daughter who keep life magical. She’s had short stories published by Alliteration Ink, Local Hero Press, Siren’s Call, and DarkFire Fiction. Her first novel, Through the Veil, is available from Sky Warrior Books.

Happy birthday to me! I turn 45 today. I’ve officially crossed over into that 45-60 year old category. This year, I had four novels, one novella, one fiction collection and an anthology come out. All I want for my birthday is for you to buy one of them and leave me a review. It’s been a standing birthday wish now for about five years. Please consider getting yourself a gift of one of my books for my birthday. You have a great selection.
If you want to know which one I want you to buy… the Melissa Allen series, Never Let Me Sleep, Never Let Me Leave, or Never Let Me Die. I get royalties and kudos on them all but those are the newest.
Apocalypse Girl Dreaming – Fiction collection
Travel from the weird west to the hidden worlds of Kendrick all the way to the far reaches of space. This collection contains twenty previously published short stories and includes the brand new Kember Empire story “Found on the Body of a Solider.” Enjoy your journey and don’t forget your survival gear. Apocalypse Girl is waiting. Includes a foreword by science fiction author Jody Lynn Nye.
DocWagon 19 – Shadowrun tie-in novella
DocWagon—saviors of the needy, rescuers of the desperate. Willing to go anywhere, rescue anyone, as long as that “anyone” has forked out enough advance cash to justify the effort. Reporter Amelia Hart has embedded herself with a DocWagon team to see what their life is really like, and she’s in for a wild ride. From an OD’ing celebrity to an aggressive team of hackers, from pesky gangs to an extremely rich and powerful client teetering at death’s door, this night will give the team all they can handle. But will they survive long enough to remember that in the Sixth World, nothing is truly random?
Chimera Incarnate – Fourth and final book in the Karen Wilson Chronicles
“The Veil is breaking. The Nightmares are coming through.” The supernatural forces of Kendrick may have defeated the Children of Anu, but every war leaves destruction in its wake. And fixing the collateral damage is never easy. The fourth and final volume of the Karen Wilson Chronicles tells the story of what happens when all the chips are down, places of power have been consumed, and one of Karen’s greatest allies teeters on the edge of oblivion. The Grey Lady and her people are fading. Only their pact with the Makah people, and the land of Kendrick itself, is holding their ancient foes at bay. Karen and her allies must find a way to save one of their own before the Veil falls and the world as they know it is destroyed.
Never Let Me Sleep – Melissa Allen #1, YA SF-Thriller
What would you do if you discovered everyone in your house, on your street, and in your town dead? Then discovered you weren’t alone and what was out there was hunting you? Melissa Allen knows exactly how it feels. With only a voice on the phone for help, she must stop what is happening before the monsters find her.
Never Let Me Leave – Melissa Allen #2, YA SF-Thriller
What would you do if you found yourself locked in an underground lab with a murderous alien hunting you? Melissa Allen and her new friends know exactly how it feels. With no help from the outside and time running out, it’s up to Melissa to keep herself and the other teens safe. How can she do that when she’s not sure who she can trust? Someone in the lab helped that alien escape. Someone human.
Never Let Me Die – Melissa Allen #3, YA SF-Thriller
What would you do if your sister was shot and your brother was kidnapped? Melissa Allen knows. It’s been six months since the attack at PAR Lab. Melissa, Carrie, and Adam have settled into a semblance of domestic bliss with Heather as their guardian. Things seem too good to be true. Someone has been watching them. Someone who has no problem trying to kill them.
Naughty Or Nice: A Holiday Anthology – Adult-oriented SF Anthology
With a little bit of nice, a sprinkle of dark, a handful of sexy, and a whole lot of naughty, this adult-oriented anthology is filled with blushes, laughs, and gasps. This is not your average holiday reading. From the story behind Marley’s fate, to a little elf who makes the perfect “toy” to the holiday rituals that keep the world going, Naughty or Nice: A Holiday Anthology, keeps the pages turning. Be prepared to be a little bit shocked!

NEVER LET ME DIE, the third book in the Melissa Allen trilogy has been released. All of these books have been doing really well. NEVER LET ME SLEEP is even on the HWA Bram Stoker Award™ 2015 Reading List!

What would you do if your sister was shot and your brother was kidnapped? Melissa Allen knows.
It’s been six months since the attack at PAR Lab. Melissa, Carrie, and Adam have settled into a semblance of domestic bliss with Heather as their guardian. Things seem too good to be true.
Someone has been watching them, taking photos and keeping notes. Someone who seems to know everything about them. Someone who has no problem trying to kill them.
Happy Book Release Day to me!

I am home from OryCon and SF Authorfest 9. I had a fabulous time. It was so much fun. In lieu of content, here is a Bubble and Squeek.
Article: Mind Meld: More Children’s Movies that Scared the Crap Out of Us.
Podcast: LIMETOWN. If you aren’t listening to this podcast, you are missing out. It reminds me of American Elsewhere and Night Vale.
Review: A Lovely review of Jazz Age Cthulhu and “Dreams of a Thousand Young” from Hauntology. I really am fond of this novelette.
For the Melissa Allen section of Bubble and Squeek…
Article: Over on Wag the Fox: Characters with a mind of their own. AKA why the sequel, Never Let Me Leave, exists.
Article: Why a Bat? Over on Damien Walter’s blog, I discuss why Melissa Allen use a baseball bat when fighting monsters.
Podcast: SF Spotlight Radio from 14 Nov 2015. I talk about a lot of things. Mostly the Melissa Allen series.

I am at OryCon in Portland, OR this weekend. If I’m not at a panel, I will be at the Apocalypse Ink Productions booth in the Dealers Room. Come say hello, buy a book, get it signed, and pick up my convention story card! Sunday early evening is SF Authorfest 9, hosted by the Cedar Hills Powell’s Bookstore.
Fri Nov 20 4:00:pm, Sunstone
How to Blurb Your Novel
We all need them, we all hate them. Summing up our books may be harder than writing them in the first place! Learn techniques to write compelling book descriptions (aka “blurbs”), and hook readers.
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Sat Nov 21 2:00:pm, Salem
The Softer Side of SF
What is “social science fiction”? How have authors used ideas from “soft” sciences like sociology, anthropology, and linguistics to craft convincing future scenarios, telling fascinating stories while shedding light on current human problems? Discuss authors past and present (LeGuin, etc.) who specialize in this.
Sat Nov 21 4:00:pm, Salmon
Broad Universe Rapid Fire Reading
Join members of Broad Universe–an organization dedicated to women in genre fiction—for a whole bunch of really short readings crammed into one hour.
Sat Nov 21 6:00:pm, Salem
Writing and Art for the RPG Industry
A how-to workshop on what it is like to work for the RPG industry.
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Sun Nov 22 11:00:am, Sunstone
Publishing Ethics
What should the relationship between publishers and writers look like, as well as writers and readers? Both situations require respect. What does that look like?
Sun Nov 22 12:00:pm, Sunstone
Writing in Other People’s Worlds
The fine art of franchise writing: working with established universes like Star Trek, Star Wars and more—including the new Kindle Worlds licensed fan fiction program.
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Sun Nov 22 4:00-6:00:pm, Powell’s Bookstore, Cedar Hills
SF Author Fest 9
Come see 30 authors in their natural habitat—a bookstore! Chat, buy books, and get them signed.


Jennifer Brozek is a multi-talented, award-winning author, editor, and media tie-in writer. She is the author of Never Let Me Sleep and The Last Days of Salton Academy, both of which were nominated for the Bram Stoker Award. Her YA tie-in novels, BattleTech: The Nellus Academy Incident and Shadowrun: Auditions, have both won Scribe Awards. Her editing work has earned her nominations for the British Fantasy Award, the Bram Stoker Award, and multiple Hugo Awards. She won the Australian Shadows Award for the Grants Pass anthology, co-edited with Amanda Pillar. Jennifer’s short form work has appeared in Apex Publications, Uncanny Magazine, Daily Science Fiction, and in anthologies set in the worlds of Valdemar, Shadowrun, V-Wars, Masters of Orion, Well World, and Predator.
Jennifer has been a full-time freelance author and editor for over seventeen years, and she has never been happier. She keeps a tight schedule on her writing and editing projects and somehow manages to find time to teach writing classes and volunteer for several professional writing organizations such as SFWA, HWA, and IAMTW. She shares her husband, Jeff, with several cats and often uses him as a sounding board for her story ideas. Visit Jennifer’s worlds at jenniferbrozek.com or her social media accounts on LinkTree.