Tell Me

Growing up, my experiences in cemeteries were pretty limited. My mom took me and my brother to make gravestone rubbings only once when we were kids. My family sometimes visited the graves of famous people while on vacation: Kennedy in Arlington, George Washington at Mount Vernon. When I was in high school, I used to take dates to the little country graveyard up the road to park, but the mosquitoes were pretty fierce, so we didn’t get out of the car and explore.

It never really occurred to me that you could visit graveyards just for fun. Then my husband and I got stranded in London during the 1st Gulf War. We were heading to Barcelona to do sound for a Survival Research Laboratories performance, but airline security made us miss a couple of connections and we decided to stay in a country where we spoke the language until everything got sorted. Since this was in the days before cell phones, it wasn’t easy to call country to country back then.

I bought a book of cemetery photos at Victoria Station – because it was full of *beautiful* statuary.  Inspired by that book, which I found by chance, my husband decided he’d rather see Highgate Cemetery than the Tower of London.  We’d never done anything like that:  just go to a graveyard to wander around.

To my immense surprise, I fell in love. Highgate Cemetery was lush and overgrown, even in January. We only saw the more modern side on that visit, but even it held famous names:  Karl Marx, George Elliott, Sir Ralph Richardson. Highgate was home to an army of angels. It had been the set of Taste the Blood of Dracula – and had been overrun with real vampire hunters in the 1970s. Best of all, it was falling to decay in the most romantic way possible.

Highgate led us to visit to Pere Lachaise Cemetery, where Jim Morrison is buried, which led to visiting Marie Laveau’s tomb in New Orleans, which led to looking for Lafcadio Hearn’s grave in Tokyo. It took a decade for me to morph from dropping by cemeteries when we traveled to building vacations around graveyards. Now I think everyone should add a burial ground or two into their vacations.  It’s easy to do.  There is literally a graveyard everywhere you go.

I make my argument for visiting graveyards in Wish You Were Here: Adventures in Cemetery Travel, recently published by Western Legends Press.  It contains 35 travel essays about visiting 50 cemeteries, graveyards, and gravesites from Tokyo to Prague, Boston to Maui, and New Orleans to Yosemite, with stops in Paris, Rome, Michigan, Hollywood, and more.

The book is being given away on Goodreads this month.  You can enter to win your own copy here:
https://www.goodreads.com/book/show/18010009-wish-you-were-here

The giveaway ends on October 31, so hurry – and good luck!

The Colony Saga
i.e., Let’s Talk Zombies

Okay, short bit about me (so’s y’all know I’ve got street cred, yo): I’m an indie author.  I write spec-fic: sci-fi, fantasy, horror.

Mostly horror.

I’m a produced screenwriter (two horror movies), member of the Horror Writers of America, and have been one of Amazon’s Most Popular Horror Writers for most of the last year.  I’ve written about ghosts, vampires, serial killers, demons, devils.  If it goes bump in the night, I’m interested.  But one thing I’ve never done is a multi-volume work. 

Until now.  And it’s a zombie story.

Usually when I write, I can tell pretty much how long the book’s going to end up being.  But when I started writing The Colony Saga, I discovered to my chagrin that the first two plot points took over two hundred pages to cover.  And that was because I was trying to do something a bit different with my zombies. 

In most zombie stories, the zombies are essentially interchangeable with a force of nature.  They are an earthquake, or a series of twisters, or a tsunami.  They are there to be dealt with as an additional problem in between the “real” story issues: a marriage on the rocks, a group of plucky survivors who have to deal with the power mad/rapey governor/priest/ex-biker/whatever who lives nearby and wants what they have.  The real questions aren’t about the zombies (“Where did they come from?”  “How do we get rid of them?”), they are about the people.  So the zombies become a stumbling block in service of the author.

Concerned Husband: Honey, let’s sit down and talk about our marital problems.
Spunky Wife: You just haven’t understood me since we lost little Timmy.
Concerned Husband: But I’m here now.  Let’s figure it out.
Spunky Wife: Okay, let’s –
Zombie Horde: Rowrrrr!
Concerned Husband: Oops!  Gotta get outta here!
Spunky Wife: I know!  We’ll figure out our marriage after this brief survival episode!
Zombie Horde: ROWRRRR!
(three weeks later)
Spunky Wife: Good thing we found that abandoned military installation and weapons cache!
Concerned Husband: I know!  Should we talk about our marriage now?
Zombie Horde: Rowrrr!
Spunky Wife: Headshots rule!

I wanted to do something different.  I wanted to create a world where zombies are THE ONLY problem.  Where you don’t have time to really get into a bitch-slap fight with your neighbor, because time is all too precious.  If you argue, you die.  That’s it.  But that meant I had to create a whole different kind of zombie.  A kind of zombie immune to typical “zombie killing” methods.  Headshots won’t work.  Setting ‘em on fire isn’t an option.

And the zombies had to have a reason.  Most zombie stories are, again, about a natural event.  Even the viral zombies that are so in vogue now are at heart a natural event, in the sense that nature has fought back against humanity overstepping its bounds.  So the zombies become a sort of modern wrath of God.  A crucible to burn away the impure – morality plays on a massive scale.  But never really explained beyond that.

I wanted zombies with purpose.  I wanted them so scary that there literally appears to be no way to stop them.  I wanted survivors who were at their cores good people, willing to put aside differences in order to try to save not just themselves, but the human race.

And I wanted to do the one thing that no zombie story has ever really done, to fully address the most horrific aspect of zombies. 

As to what that is… well, I gotta keep some secrets in reserve.  But there are things worse than dying.  Worse than not staying dead.

Zombies are a lot of fun to read, and a lot of fun to write.  Whether I’ve accomplished my mission of creating a completely new kind of zombie is something that I can’t answer – I’ll have to leave that to my readers.  But it’s taught me a lot about horror, about the nature of community, and about the things that are truly worth fearing.

The Colony: Genesis (The Colony, Vol. 1):
Kindle
Paperback

The Colony: Renegades (The Colony, Vol. 2)
Kindle
Paperback

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Michaelbrent Collings is a #1 bestselling novelist and screenwriter. His bestsellers include Strangers, Darkbound, Apparition, The Haunted, The Loon, and the YA fantasy series The Billy Saga (beginning with Billy: Messenger of Powers). He hopes someday to develop superpowers, and maybe get a cool robot arm. Michaelbrent has a wife and several kids, all of whom are much better looking than he is (though he admits that’s a low bar to set), and much MUCH cooler than he is (also a low bar). Michaelbrent also has a Facebook page at http://www.facebook.com/MichaelbrentCollings and can be followed on Twitter through his username @mbcollings. Follow him for awesome news, updates, and advance notice of sales. You will also be kept safe when the Glorious Revolution begins!

I’ve never met Matt but I gotta give it to him… I love this book trailer. It’s the kind of book trailer I’d like. Give it a look.-JLB

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The Correct Response is “Whoa”

by Matthew Warner

As in, “Whoa, baby. That looks awesome.” As in, “It looks so awesome, I gotta buy that book right the hell now.”

That’s the reaction I want you to have to my new book trailer about The Seventh Equinox, coming Nov. 6 from Raw Dog Screaming Press. (Hopefully, you’ll remain that enthusiastic after you read it.)

Did you know someone owns the term book trailer? Yep. It’s a service mark, registration #2868140, duly recorded at the U.S. Patent and Trademark Office. But that doesn’t stop hordes of writers from creating videos about their novels and calling them “book trailers,” as if they’re on par with trailers at the movie theater.

But here’s the rub. Most of them suck. I’m sorry, but they do. They’re text-heavy, too long, and they look like they were made with PowerPoint in less than 15 minutes. But you get what you pay for, and most writers don’t have the dough to hire actors and CG artists. I’m not saying I do, either. Not usually. In fact, I’m certain I blew all my future royalties several times over when I collaborated with Darkstone Entertainment to make the 2.5-minute video linked below. But I’m happy to do it in the interests of recruiting new readers, hopefully ones who will stick with me for life. I have another job to keep me in whiskey, so I don’t mind raking all my writing income back into advertising. My publishers don’t seem to mind, either.

For this trailer, it helped to have a target audience firmly in mind. The Seventh Equinox is set in the fictitious city of Augusta, Virginia, based on my home of Staunton. I didn’t set it in the real Staunton because I wanted some leeway in my descriptions of geography and government, and also to insulate me from potential libel suits. In my book, the sheriff is an alcoholic, bigoted redneck, while the real-life Staunton police chief is anything but.

Anyway, I still want locals to buy my book, because its descriptions otherwise ring with regional flavor. That’s why a Staunton landmark, the Clock Tower, appears on the book cover. And that’s why, when I wrote the trailer script (which you’re welcome to read here), I loaded it with Staunton landmarks, such as Betsy Bell Mountain. During the three-day shoot, I even revised it to include more local landmarks, such as the Gypsy Hill Park band stand and the iconic DeJarnette buildings.

The other thing I did differently with this trailer was to load it with multiple settings and story lines, more like a real movie trailer. My previous three trailers for Blood Born were each confined to one or two locales. That made this one three times as hard to make. Read more about the sausage-making at The Seventh Equinox‘s production blog.

So, what did I learn from all this? New ways to nervously pull my hair out when production problems sometimes cropped up. I also learned I should keep my mouth shut when an actress is working herself into an emotional state at my request. (Major kudos to actress Elle Clark for crying real tears.)

The jury is still out on my main questions, which are: did it help to target a local audience, and was the more cinematic writing style worth the trouble?

Maybe you can help me figure it out. In the meantime, enjoy (book trailer link)!

Matthew Warner‘s new novel, The Seventh Equinox, comes out from Raw Dog Screaming Press on Nov. 6, 2013. Preorders receive $2 off.

I’ve never met Louise but I follow her archeology blog because she’s always got something interesting going on. I’m pleased to hear about how she used her work and love of history to come up with her debut novel, Fire and Sword (Amazon US, Amazon UK).

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First of all, a big ‘thank you’ to Jennifer Brozek for her invitation!  Deciding what to write has been quite a challenge:  I wondered at first if I should talk about why I actually write historical fiction, when my background as a reader and a writer is  grounded firmly in science fiction and fantasy.  But I’ve decided instead to focus more closely on the plot of my debut novel, Fire & Sword (published by Hadley Rille Books)  and the research which underpins it.

History is littered with drama and intrigue, undertaken by a plethora of sometimes quite unsavoury individuals.  And yet I chose to write my novel about a relatively unknown individual who is hardly mentioned in the national story.  Why I took this difficult path and the work involved in pursuing it is what I’d like to talk about today.

I live in Renfrewshire, just west of Glasgow. When I started writing Fire and Sword, it seemed practical to write a story set close to home, mainly because I was unemployed at the time and the wealth of on-line archival resources that we have now was unheard of. 

The local history books were full of inconsequential details along the lines of, “See those Semples?  They were dodgy characters, always feuding.  See those Montgomeries?  They were a right bad crowd, always feuding.”  After wading through page after page of this kind of stuff, I must admit I found myself wondering how I’d ever find something worth writing about.

Then something caught my eye.  A brief passage, referring to John, 1st Lord Sempill.  I can’t remember the exact wording, but it went somewhere along the lines of, ‘His father Sir Thomas Sempill died defending the King at the Battle of Sauchieburn in June, 1488, and a year later John was made 1st Lord Sempill.’

Now, King James III was murdered after Sauchieburn, which meant that John Sempill’s father was killed while fighting on the losing side.  This meant that his son and heir, John, was back in favour with his successor James IV just a year later. 

I was intrigued.  I continued my research, and learned that the constant feuding was invariably an aggrieved response to specific political events.  By weaving together the national picture with the local historical accounts, I unearthed a story which was very interesting indeed, but much was inference and supposition.  As a historian or an archaeologist, I couldn’t take the next step which linked all this together. 

But as a novelist, I could.

The facts formed a rigid framework around which I had to build a story, but everything else depended on the characters.  The process of creating characters who seemed realistic and compelling and true to their time was another major challenge.  With some individuals, including John, I didn’t even know their date of birth.  Some major detective work ensued.  How many siblings did they have?  Who were their closest relatives?  What did they achieve in their lives? Who did their children marry? 

In John’s case, he was the only son in a family which included at least three girls.  While his father was clearly allied politically with the Cunninghame clan, John became increasingly linked with their local rivals, the Montgomeries.  The Montgomeries and the Cunninghames were at each others’ throats in nearby Ayrshire.  But during John’s life, while he was Sheriff of Renfrew, these same two families maintained a peaceful co-existence.

I like to think that John, 1st Lord Sempill was ahead of his time.  While most of his contemporaries were happy to feud and burn, John was a builder, a supporter of the arts.  His legacy includes one of the few privately funded collegiate churches to be built in the west of Scotland, a site which still can be visited today.  He was, in effect, a true Renaissance man. 

Even the most accomplished of historians can’t give John much of a voice or an identity.  With just a scattering of charters to his name, his was a fleeting presence in a world dominated by much louder, more strident personalities.

But a novelist can take a leap of inference, and travel to places that the historian or archaeologist can only dream of.  And what an adventure it has been, trying to accomplish this in a manner which is entertaining to the reader, while remaining plausible and convincing and sympathetic to the facts!

—
Louise Turner’s debut novel Fire and Sword is set in late 15th century Scotland and has recently been published by Hadley Rille Books.  For further information about Louise and her work, see www.louiseturner.co.uk.

Is it possible to have worked on a book for nearly 30 years?  No, strike that… a lifetime?

You see, my novel Shirewode will be released on 09 September, the second book in a duology of Robin Hood.  It is singular amongst other recent retellings of the legend, in that it melds the hard edge of historical fact with the undeniable myth and magic of a vanishing primordial forest.  It also has high romance straight from the original ballads… with a subversive and timely twist, of course.

And time has haunted these books.  It’s been a bloody long haul to get here, to this place where I have two actual novels in my hand instead of promises, and good reviews in print instead of well-meaning reassurances. The duology originally began over thirty years ago as a trilogy called Greenwode, on the verge of contract with an SF/F publisher.  The main editor of that imprint died, and in the fallout a lot of things that were going to happen, didn’t.  It was the beginning of a run with very, very bad luck on so many fronts–and we all know luck is a big factor in publishing.

I retreated from the field, done in.   But the writing still lay in wait.  Other books were written, shared amongst comrades, put away in the files.  And amidst them waited what would become Greenwode and Shirewode, patient outlaws in ambush.  These manuscripts, gift from a childhood of pretending to be Robin Hood… of hunting and running wild over ploughed fields and through thick forests, of shooting arrows and falling in ponds, of climbing trees and chasing cousins and half-wild ponies that stood in for Sheriff’s Men…

Well, these manuscripts were determined to be my debut upon a battlefield where I never again thought to stand.  I’m no longer a starry-eyed twentysomething, and it was on mere chance and whim I pulled the trilogy-that-was from my file cabinets and thought about rewriting them… then did rewrite them.  A lot.  Then, in a process so lacking the chaos of my previous encounters that it felt like the fates were, finally, aligning beside instead of against, publication… happened.  A copy of Greenwode sits in glorious colour upon my shelves.  Not too long ago I got my just-as-glorious copy of Shirewode.  End, yet merely another beginning, Shirewode sits on my shelf next to its mate, right between Heinlein and Herriot…  and what fine company is that?

So.  I spent some years railing at whatever gods would listen (still do, sometimes), but it all comes down to this:

I’m writing better books than I was thirty years ago.

Shirewode, and Greenwode, and whatever books come after are, perhaps, the books they intended to be, all along.

Dylan Birtolo is a great friend of mine and I have had the privilege of working for him several times. This time, I do have skin in the game. It is my company that will be publishing the Sheynan trilogy. The Kickstarter (5 days left) involved is already funded with extra books coming from Apocalypse Ink Productions. Dylan is here to tell me who his fictional hero is and why.

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We all have heroes when we are growing up – people that we respect, admire, and want to emulate or even become. As you can imagine, I was a very imaginative child and grew up with a lot of science fiction and fantasy, for which I am immensely grateful. Heck, I am told that the first book I “read” was The Lion, the Witch, and the Wardrobe. The story I have been told is that I had it read to me so many times that I memorized the words and “read along.” Needless to say, there were a lot of opportunities to find heroes.

The one that rose to the top was Buckaroo Banzai from the cult hit The Adventures of Buckaroo Banzai Across the 8th Dimension. Why was he my hero above and beyond all of the other stories I read or watched? I had Star Wars, the Lord of the Rings, the Chronicles of Narnia and more to pull from – a very competitive lineup. Quite simply, he did everything. He was a scientist, a race car driver, a neurosurgeon, a martial artist, a rock star, and had his own comic book. He was everything that you could possibly be. I guess when I was a child and my parents said I could be anything I wanted, I took that to mean that I could be EVERYTHING.

With writing, I get a taste of that. For me, writing is a form of wish fulfillment. I get to create worlds and characters that can do anything, where anything is possible. I have the opportunity to write the stories that I want to read. There are characters and worlds in my head that I want to explore, and “what if” questions I want to see the answers to. Writing is a way to do that. Not only that, but it also lets me share those ideas with others.

This is especially true because I write a lot of fantasy. The idea for my first novel, The Shadow Chaser, was born from a very simple wish. I wished that I had the ability to change into an animal. That got my brain going. What if I could? What if I wasn’t the only one? How would it work? What if there were hundreds of people living in this world who can do it, and we just don’t know about them? That was the seed that grew into this novel.

While I may not be able to do everything (although I am making as good a stab at it as I can), being a writer lets me emulate Buckaroo in my own way.

Right now I am in the tail end of a Kickstarter campaign to rewrite my first two novels and write the third in the series. I’m excited about this. It is an opportunity to revisit one of the first worlds I created with all of the writing skills and knowledge I have now. I have gotten to the point where, while I am proud of what I have done with my first novels, I cringe a little to read them because I know I am a much better writer now. With this project, I will be able to go back and give this world another turn so I can share it again with people.

Because let’s face it – a world where some people can take on the shape of an animal sounds like a lot of fun.

I met Scott at a convention. He was funny, happy, and enthusiastic. A real pleasure to be around. When he asked me to write for By Faerie Light, I agreed and I’m so pleased with how my story, “A Nightmare for Anna,” came out. Thus, I’m not unbiased about this anthology or kickstarter. Just 10 days to go to fund this kickstarter. And there’s so much more offered by Broken Eye Books than the marvelous anthology talked about below.

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What is By Faerie Light? It’s the bump in the night, the forgotten memories, the stolen children. It’s the worlds unseen within your dreams, hidden in the trees, lost in your cupboard. It’s the tricksy, dark, otherworldly personalities of the fae.

By Faerie Light is an anthology of dark fantasy. Specifically, it focuses on the supernatural creatures you like to call fae. These are tales of moral ambiguity and emotional intensity. Frightful and fanciful. They draw from our own mythologies and folklores, but these aren’t fables or retellings of classics. There are no lessons here to learn. We just want to play with your heads.

And really, that’s our greatest joy. The fair folk are such a treasure trove of wonderful stories. They’re unpredictable and complicated. Anything can happen anywhere and anywhen. You never really know just where you stand, and even when you think you do, you’re generally wrong. They are unconcerned with your quaint customs and morals. You’re typically just a bother, a toy, a fling to them. It’s when they start to pay attention to you that you should worry.

And what better way to bring something so multifaceted, so complex, to life than in an anthology, my most favorite of beasts. You get to see through the eyes of different authors, each with their own take on what it means to be fae. What it means to be human interacting with a cold, remorseless, alien world.

Eighteen short stories woven together by the editors, Caroline Dombrowski and myself. All from top-notch authors with the knack for hitting just the right notes of creepy and weird: Jennifer Brozek, James L. Sutter, Elaine Cunningham, Erin Hoffman, Shanna Germain, Cat Rambo, Jeffrey Scott Petersen, Christie Yant, Lillian Cohen-Moore, Torah Cottrill, Erik Scott de Bie, Andrew Romine, Ed Greenwood, Amber E. Scott, Jaym Gates, Nathan Crowder, Julia Ellingboe, Minerva Zimmerman, and Dave Gross. Each bringing to life an exciting and strange new world to explore.

We’re just putting the final wards on this title now. You know, for your protection. It’ll be available to the public in November, but you could get it a little earlier by joining in our Kickstarter, which offers this anthology along with four novels and some other special goodies to choose from.

It appears you’ve heard their call already. They’re beckoning you, aren’t they?  May history forgive us for unleashing this overwhelming, amoral tide of tales upon you.

Jim Hines is a friend of mine, a great writer, and I love these books. I think all readers and writers want to know what it would be like to pull something–a lightsaber, a wand, the grail–from a book to have for their very own. Here, he talks about his protagonist’s greatest love.

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One of my favorite things about Libriomancer and Codex Born is the protagonist’s attitude toward magic. Isaac Vainio is a librarian and shameless geek, with the ability to pull things from books—phasers, light-sabers, magic rings, pretty much anything that fits through the pages.

And he loves it. Isaac is completely and utterly in love with magic … occasionally to the detriment of whatever he’s supposed to be doing at the time. Even when he’s facing steampunk-style insects that escaped from a book and are oddly determined to kill him, a part of Isaac’s mind is distracted by the beauty of their construction, the combination of magic and miniature jewels and gears, the elegance of the metalwork…

He’s constantly asking “What if?” about both the books he reads and magic in the real world. How far could Harry Potter travel with that apparating spell? Did J. K. Rowling’s witches and wizards ever blip over to Mars to explore the planet? Could magic seeds from Piers Anthony’s Xanth series be pulled into our world to revolutionize farming? And where could Isaac get his hands on a magical chronoscope that would let him check out the lost episodes of Doctor Who?

Magic comes with a cost, of course. Overusing a particular book leads to magical charring, damage that spreads through every copy of the book and can make Bad Things happen. Magic also weakens the boundaries between the lirbiomancer and the book, meaning characters from those books can begin to creep into the libriomancer’s mind. And there are the occasional monsters and villains trying to use magic to take over the world.

But the core of the series is about hope and discovery and the thrill of learning something new. It’s about an insatiable need to learn, and to explore the possibilities of magic.

I have nothing against darker, grittier fantasy novels. But there seems to be an awful lot of it these days, where the world is a harsh, ugly place, and magic is a burden to be suffered with stoicism and occasional angst.

Isaac’s life certainly isn’t perfect. Any number of things are busily trying to kill him, his love life is confusing to say the least, and he’s not on the best of terms with Johannes Gutenberg, the centuries-old founder of the world’s magical organization. I mean, what kind of author would I be if I didn’t torment my characters?

But no matter what I put Isaac and his companions through, it never takes away that central thread of joy. The thrill Isaac feels when he discovers something new or finds that a long-understood “rule” of magic was actually more of a guideline.

At the heart of the series is the idea that magic is awesome. And that’s one of the things that makes these stories such an absolute blast to write.

I will be at Convolution in the SF Bay Area, Nov 1-3. I’d really love to see the Goblin King’s Masked Ball happen.

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I’m Kimmi Allbee, and I’m Chairwoman of this really amazing convention- Convolution 2013.  We’re a new sci-fi/fantasy genre con, taking place in the San Francisco Bay Area on November 1-3rd.  Last year was our inaugural event, and we had unexpected success.  This, our second year, is shaping up to be more of the same-I have a hard time not gushing when I speak of how awesome it’s going to be. 

Our Guests of Honor include Brian Froud & Wendy Froud, who’s work you’d recognize from films like “Labyrinth”, and “The Dark Crystal”, Wendy & Richard Pini, celebrating 35 years of their brilliant ElfQuest comic book series, and Richard Kadrey, author of the dark fantasy series “Sandman Slim”, which was recently announced as being developed for a new television series.  Featured Guests include Toby Froud, puppeteer and filmmaker, and Ivan Van Norman, RPG game creator, and one of the finalists from TBS’ “King of the Nerds” TV series.  We’re also closing the weekend with a private screening of the Cabal Cut of Clive Barker’s epic horror film “Nightbreed”, which was just announced at SDCC as being picked up for a new DVD release with the all-new, reworked scenes that were cut from the original release, bringing it back in line with Clive’s original vision for the film.  Russell Cherrington, the man behind this film being made will join us, along with Craig Sheffer, star of Nightbreed, who played Boone.

When I first bid to chair this year’s convention, I had a dream, and it’s been amazing to watch that dream become a real thing, and to get to share it with all the people who are so excited for it to happen. We’re also working our collective butts off to make it be a bigger, more amazing thing than it could have been on it’s own, by running a Kickstarter campaign for Saturday night’s dance, The Goblin King’s Masked Ball.

We’ll have live music performances from singer and cellist Unwoman, and from the trio of amazing performers who make up Tricky Pixie- Alexander James Adams, SJ Tucker, and Betsy Tinney.  We’ll have local DJs spinning atmospheric music, and live performers from The Vespertine Circus.  The whole evening is themed after the iconic dream sequence in the film “Labyrinth”, and we want everyone to don a fancy costume and mask, and come to the ball as your brightest dream, or your darkest nightmare, and revel for Halloween weekend in style and decadence.

We currently have 52 backers, with $4,944.00 pledged of our $12,500.00 goal, and we’re not quite halfway done- we have 17 days left. We’re at 39% funded-and this is a fantastic thing. In the next week, you’ll see more updates as we add new performers, and unveil some extra reward level items to titillate new backers. We’ve gotten endless support from all of our wonderful Guests of Honor, and Featured Guests, and it just keeps coming, which is both humbling, and invigorating, as it repeatedly shows me that my dream is something that I can share, and have it become bigger than it was when it just lived in my head.

Please, go give it a look. There has been so much work, from so many people, going into making this project a success that I cannot possibly ask for more from any of them-but I can ask for more from you. Even if it’s just $5, one less latte for the week-every little bit helps, and every little bit adds up to become part of a greater whole. And then, you’ll have thrown a little bit of positivity out into the world, knowing you helped make a dream come true.

I have the great pleasure of calling John Pitts a mentor and friend. He is an excellent author and the Sarah Beauhall series deserves to continue on. I know a lot hinges on trade paperback sales. Forged in Fire is worth picking up in physical copy. Something to think about.

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On July 23rd, the trade paperback of Forged in Fire hits the shelves.  This is the third in the Sarah Beauhall series about a young lesbian blacksmith in present day Seattle who repairs a sword that just happens to be the legendary Gram and the chaos that ensues.

In Forged in Fire, Sarah has uncovered even more that is wrong with the world in the form of a blood cult lead by a seriously anti-social necromancer.  Justin, the necromancer, just happens to have once dated Anezka, one of the blacksmith masters that Sarah has had the pleasure of working with.

I love this book for several reasons.  It was a good chance for me to step out of my comfort zone in several areas which is a HUGE bonus for writers.  Breaking through the walls and trying things, exploring themes or touching on subject matter that is outside our norm makes for powerful story telling.

Sarah really has embraced the way her world is unfolding and is approaching it with a fervor she never knew she had in her.  Katie, her lover and best friend, begins to really come into her own as a bard, with the music and magic literally bursting out of her. 

The rest of the crew jump in and round out the story with depth and consequences.  Every action has meaning, magic has a cost, and even the most well intentioned decision has a ripple effect that goes beyond any careful (or not so careful) planning on everyone’s part.

Another thing I find fascinating about this series in general is the fun of layering in story.  I get a very real sense of joy by planting clues that may bear fruit in this book, or maybe the next.  The world isn’t a single D&D adventure that is completely wrapped at the end.  Oh, the story has a fine resolution, but the world rolls on, the characters have lives beyond this book, and I dearly hope that you the reader can’t help but wonder just what might happen next.

At least that’s the feedback I’ve been getting from eager readers.  Of course, as the author, there are things I know that the readers don’t always catch.  But I can live with that.  What I’d really love is when you read the books, that you’d contact me, ask questions, let me know what you liked and what you didn’t like.  Let me know if there are things I should do better in the future, or things that you want to see.

I can’t promise I’ll do any of those things, but it’s a real boon to a writer to hear what’s working and what isn’t.  I especially want to know if the things I’m foreshadowing are what you the reader is anticipating as the next thing.

Beyond that, I just hope you’re entertained.  That’s the whole point of this exercise, after all.  I’m a sucker for a damn good story, and I hope Forged in Fire fill that for you.