Today, the talented Raven Oak tells me about how footnotes in fiction enhance the story, and why she loves them so much.
I have a love affair with footnotes.
Maybe it’s because of all the academic papers I had to write throughout my career as a teacher, but I think I fell in love with them before high school and college, back when teenage me was devouring speculative fiction books at a rate of one or two per day.
Books like Robert Asprin’s MythAdventures series were a mad mix of fantasy and humor, where footnotes were used as a way for the author, the characters, or both to leave commentary on what was happening aside the plot line. Asprin used footnotes as a comedic schtick, one that worked well for his various series.
As a young writer, I took his example to heart. This was something real writers did. Imagine my surprise when adult writer me found very few footnotes used in fiction at all. (Though this is changing thanks to the LitRPG genre.)
Many people hate footnotes because of their association with MLA citations and research papers, two topics often considered tedious, but who says they have to be? Why can’t authors use them in their fiction? Why can’t a story about dragons have footnotes, too?
While I haven’t gone so far as to use footnotes in my fictional work as of yet, they came in handy during the writing of my first memoir. Because the book covers everything from gender identity, sexual orientation, and transphobia to medical gaslighting and abuse, I found myself needing to clarify most of what I was talking about, if for no other reason than to insure I was educating folks rather than confusing them.
For example, it’s challenging to discuss demisexuality if the reader has no idea what that is or why it’s important. More than that, the footnotes served as a way for me to insert humor and my own wry sarcasm in between the sentences of some very serious topics. As I wrote, I found myself escaping into the footnotes like they were their own substory within the story I was framing.
More importantly, they reminded me of what it was like back when I was twelve. Nothing in the life of an adolescent is simple. Between hormones and peer pressure, the life of a teenager is complicated and messy. Toss in figuring out whether or not your queer, child abuse, and poverty and well… let’s just say there’s a reason child-me escaped so frequently into the worlds of speculative fiction.
Tapping into those feelings and the joy I found in so many tales helped me remember the good inside of the bad that has often been my life. It’s easy to get lost in the trauma, or to believe the depression and anxiety when its roars are sometimes deafening, but the footnotes were a reminder that humor has always pulled me out of the darkness.
Just like speculative fiction, humor has always been a means of escape.
Voices Carry may be a non-fiction memoir, but in the writing of it, I rediscovered the importance of humor…and footnotes!
—
Multi-international award-winning speculative fiction author Raven Oak (she/they) is best known for Amaskan’s Blood (2016 Ozma Fantasy Award Winner, Epic Awards Finalist, & Reader’s Choice Award Winner), Amaskan’s War (2018 UK Wishing Award YA Finalist), and Class-M Exile. She also has many published short stories in anthologies and magazines. She’s even published on the moon! Raven spent most of her K-12 education doodling and writing 500 page monstrosities that are forever locked away in a filing cabinet.
Besides being a writer and artist, she’s a geeky, disabled ENBY who enjoys getting her game on with tabletop games, indulging in cartography and art, or staring at the ocean. She lives in the Seattle area with her wife, and their three kitties who enjoy lounging across the keyboard when writing deadlines approach. Her hair color changes as often as her bio does, and you can find her at www.ravenoak.net.
