Get a free story when you subscribe

Author, Editor, Media Tie-In Writer

Bubble and Squeek for 29 Jan 2024

So much writing. So many balls in the air. Have a Bubble & Squeek!

Announcement: Pre-order for Shadowrun: The Mosaic Run Auditions is live! I’m so happy with this book! Look at this beautiful cover! Release date is 15 Feb but you can pre-order it now.

Classes: I have two new classes scheduled with the Rambo Academy for Wayward Writers! 11 Feb, 9:30am, Project Management for Creatives and 10 Mar, 9:30am, Money Management for Creatives. There are slots and scholarships available for each class.

Interview: Podcast Interview with Lancer Kind with me and Cat Rambo about The Reinvented Detective. This was a really fun one.

Kickstarter/BackerKit: I am launching a Kickstarter for in late March 2024 called “Dear Penpal, Belgium 1980.” It is a cozy, Middle Grade appropriate, ghost story, loosely based on fictionalized me at ten years old while living in a 300-year-old manor house in Belgium. Won’t you be my penpal?

Shoutout: Writing Speculative Stories by Cat Rambo. I enjoyed reading this article.

Twitch: The Broken Hearts Club, Buffy RPG mini-series starting on Feb 13 on Shadows of Nox. I’m playing the psychic, Bethany Dubois. She’s having a terrible time, but she has a bunch of cool, new friends.  

YouTube: Here’s a sneak peek at the mix tape for the Broken Hearts Club. I had fun putting this together.

Support: As always… if you appreciate my work and would like to support me, I love coffee. I am made of caffeine. This is the quickest way to brighten my day.

Meet Jennifer Brozek

Jennifer Brozek is a multi-talented, award-winning author, editor, and media tie-in writer. She is the author of Never Let Me Sleep and The Last Days of Salton Academy, both of which were nominated for the Bram Stoker Award. Her YA tie-in novels, BattleTech: The Nellus Academy Incident and Shadowrun: Auditions, have both won Scribe Awards. Her editing work has earned her nominations for the British Fantasy Award, the Bram Stoker Award, and the Hugo Award. She won the Australian Shadows Award for the Grants Pass anthology, co-edited with Amanda Pillar. Jennifer’s short form work has appeared in Apex Publications, Uncanny Magazine, Daily Science Fiction, and in anthologies set in the worlds of Valdemar, Shadowrun, V-Wars, Masters of Orion, Well World, and Predator.

Jennifer has been a full-time freelance author and editor for over seventeen years, and she has never been happier. She keeps a tight schedule on her writing and editing projects and somehow manages to find time to teach writing classes and volunteer for several professional writing organizations such as SFWA, HWA, and IAMTW. She shares her husband, Jeff, with several cats and often uses him as a sounding board for her story ideas. Visit Jennifer’s worlds at jenniferbrozek.com or her social media accounts on LinkTree.

Browse the archives

You may also like...

In early 2003, I lived in the SF Bay Area and worked for a little company called Placeware. In February, we discovered that Microsoft was going to buy our company for its intellectual property (which eventually became Office Live Meeting). By May, I had found out that I was one of the one hundred Placeware employees being hired by Microsoft as subject matter experts. I was a senior QA engineer. I was thrilled to be hired (at a better wage) to move up to the Pacific Northwest (like I had wanted to do since college) with the ability to buy a house… instead of being fired during the Silicon Valley Dot Bomb era. On July 20, 2003, I officially moved to the Seattle area. I had visited once before during the “Shock and Awe” week-long orientation trip where those of us who wanted to buy a house got shepherded around...

scroll-horizontal

Happy Book Release day to Mario Acevedo and Hex Publishers! Over at Hex Publishers, our favorite stories are those when things go bad. And bad in a big way. In my critique group, one that I share with Josh Viola, we are a macabre, sadistic bunch. There’s seldom a story that we read where one of us doesn’t chime in with, “You know what would make this plot more interesting? If the mother takes an ax to her daughter-in-law.” And that story is supposed to be a romantic comedy. Our conversations draw upon what we’ve gleaned from coroners and medical examiners. We routinely rehash crime-scene investigations from Forensic Files. Blood spatter analysis is a favorite topic of conversation. While we love debating the dramatic potential of poisons, shivs, arson, and my favorite—suicide by autoerotic asphyxiation—what really gets us going is a discussion about the why. For example, at what point...

scroll-horizontal