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Author, Editor, Media Tie-In Writer

Grief Two Years Later

Dad died two years ago today. I said good-bye to him over Memorial Day 2019. I grieved him for those 112 days before he died. We said what we wanted to say to each other. The rest was a series of declining medical reports. It was so hard on my sister. To this day, I still marvel at her fortitude.

Grief comes for us in subtle and unsubtle ways. I didn’t write for the six months around my father’s death. My editor and publisher understood. I tried. It just didn’t happen. This was one of the unsubtle ways grief affected me.

Subtle was the way it affected my reading. I don’t know exactly when I stopped reading fiction novels for fun, but I know when I realized that is what had happened. It was April 2020. I picked up Stephen Blackmoore’s GHOST MONEY. This was a book I had been looking forward to for a while. I opened the book and this greeted me:

Dying is easy. Grieving is hard.

Right then and there I “noped” out of the book. I closed it and didn’t look back. A week or two later I realized I’d been doing something similar to fiction novels for months; picking them up and putting them back down. There was something about fiction novels I couldn’t deal with.

I still read. I shifted to nonfiction. Autobiographies and health books. If I read fiction, it was for work. Short fiction for the anthologies I was editing or the novels I was proofing. I have a very different mindset when I read for work than I do for pleasure.

Fifteen months after Ghost Money, I realized that I missed my fiction novels. Mom had died in February of 2021. She was the main reason I was a reader. I took some of her novels home after her memorial. Two things happened to make me realize I missed reading fiction novels: LATER, a short novel by Stephen King had come out and I received an ARC of Seanan McGuire’s 15th October Daye novel, WHEN SORROWS COME. At that point, I realized I hadn’t read the 14th novel, THE KILLING FROST.

So, I sat down with one of my favorite authors and read Later. My mind was hungry for it. Then The Killing Frost. This one was a little harder. I’m still not completely sure what it is/was about fiction novels that my grieving mind wanted to avoid, but I still enjoyed it. Then came a road trip to Utah. We fell back on an old favorite, listening to the Dark Tower series by King. We started WOLVES OF THE CALLA. Once we got home, I was able to move to When Sorrows Come.

(As an aside, I have to say that When Sorrows Come is one of those books that October Daye fans have been waiting for. In essence, despite its name, it’s a happy book—one of the happiests that a character like October can have. I don’t think it’s a spoiler to say that Toby finally gets married. I also very much enjoyed the added novella. This isn’t a book to start the series with, but it is one to look forward to.)

I shifted back to listening to Wolves of the Calla after that because I don’t like leaving favorite books half-finished. But I’ve also gone back to Ghost Money. I needed to. This time, when I read the opening two lines, I didn’t wince. I empathized and understood. I’m halfway through and enjoying it. Eric Carter is one of those characters that can get under your skin. I’ve already bought DEMON BOTTLE (Eric Carter #6) in anticipation of wanting to dive in head first as soon as Ghost Money is done.

I suspect I will continue with the Dark Tower series until it is done after that. Then, I think I will go to the Sandman Slim novels by Richard Kadrey and start them over from scratch. I’m 4-5 novels behind on the series and I’ve just read that the final Sandman Slim novel has come out. Kadrey is one of those authors that can turn off my writer brain. I think that’s what I need these days: reading for the joy of reading.

Grief at the loss of my parents in less than two years is still strong, but I think, little by little, I am healing.

Meet Jennifer Brozek

Jennifer Brozek is a multi-talented, award-winning author, editor, and media tie-in writer. She is the author of Never Let Me Sleep and The Last Days of Salton Academy, both of which were nominated for the Bram Stoker Award. Her YA tie-in novels, BattleTech: The Nellus Academy Incident and Shadowrun: Auditions, have both won Scribe Awards. Her editing work has earned her nominations for the British Fantasy Award, the Bram Stoker Award, and the Hugo Award. She won the Australian Shadows Award for the Grants Pass anthology, co-edited with Amanda Pillar. Jennifer’s short form work has appeared in Apex Publications, Uncanny Magazine, Daily Science Fiction, and in anthologies set in the worlds of Valdemar, Shadowrun, V-Wars, Masters of Orion, Well World, and Predator.

Jennifer has been a full-time freelance author and editor for over seventeen years, and she has never been happier. She keeps a tight schedule on her writing and editing projects and somehow manages to find time to teach writing classes and volunteer for several professional writing organizations such as SFWA, HWA, and IAMTW. She shares her husband, Jeff, with several cats and often uses him as a sounding board for her story ideas. Visit Jennifer’s worlds at jenniferbrozek.com or her social media accounts on LinkTree.

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