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Author, Editor, Media Tie-In Writer

Bubble & Squeek for 6 April 2020

I need to re-outline BattleTech: Crimson Night for a fourth time–in the words of one of my SFWA mentees “to stop being precious about my writing”–and add in a fourth point of view character that will make all my problems go away. In the meantime, here’s a Bubble & Squeek for you.

• Awards: A SECRET GUIDE TO FIGHTING ELDER GODS is a 2019 Bram Stoker finalist! Congratulations to everyone who got the nod. I’m so happy.

• Interview (Video): I’m interviewed by Dacre Stoker about my Bram Stoker nomination.

• Publications: “Lair of the Infernal Thief” AKA “Untitled Infernal Goose Adventure” in Mini-Dungeon Monthly #12, An adventure for two to five characters of 3rd-5th level. Yes, inspired by THAT “Untitled Goose Adventure…

• Publications: It looks like Fantasy Flight Games did a reprint of the physical book of my Arkham Horror novella, TO FIGHT THE BLACK WIND, for those of you who were looking for it as well as the rest of them.

• Random Video: In honor of having my first lucid dream in years, probably brought about because of this video by Matt D’Avella: I learned how to lucid dream.

• Support: As always… if you appreciate my work and would like to support me, I love coffee. I am made of caffeine. This is the quickest way to brighten my day. Especially since most of my conventions have been cancelled this summer. Pretty please.

Meet Jennifer Brozek

Jennifer Brozek is a multi-talented, award-winning author, editor, and media tie-in writer. She is the author of Never Let Me Sleep and The Last Days of Salton Academy, both of which were nominated for the Bram Stoker Award. Her YA tie-in novels, BattleTech: The Nellus Academy Incident and Shadowrun: Auditions, have both won Scribe Awards. Her editing work has earned her nominations for the British Fantasy Award, the Bram Stoker Award, and the Hugo Award. She won the Australian Shadows Award for the Grants Pass anthology, co-edited with Amanda Pillar. Jennifer’s short form work has appeared in Apex Publications, Uncanny Magazine, Daily Science Fiction, and in anthologies set in the worlds of Valdemar, Shadowrun, V-Wars, Masters of Orion, Well World, and Predator.

Jennifer has been a full-time freelance author and editor for over seventeen years, and she has never been happier. She keeps a tight schedule on her writing and editing projects and somehow manages to find time to teach writing classes and volunteer for several professional writing organizations such as SFWA, HWA, and IAMTW. She shares her husband, Jeff, with several cats and often uses him as a sounding board for her story ideas. Visit Jennifer’s worlds at jenniferbrozek.com or her social media accounts on LinkTree.

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It’s been an amazing couple of weeks. Really amazing. Awards: I’ve been nominated for two different Scribe Awards. One for best tie-in short story. One for best tie-in YA novel. Conventions: I’ve been named one of Gen Con’s Industry Insider Featured Presenters. I’m really excited about this. Election: I’ve been voted in as one of the new Directors-at-Large for SFWA along with Matthew Johnson. I will take office on July 1, 2015. Interview: I’ve been interviewed by Katie Teller, focusing on my Dark Quest Books anthologies. Review: Thomas Gondolfi of Scifimonkeys.com reviewed CALLER UNKNOWN and gave it an “Unexpected A-“. He had some interesting points to make.

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As DragonCon winds down and I hear both good and bad things about the convention (mostly good), I am working hard not to be utterly useless the week before I go to Gen Con. It’s a hard battle, but I have so much to do. I am a conflicted person. I am excited. I am wary. I am hopeful. I am paranoid. Why am I going? I’ve been asked this a couple of times. The main reason is to set myself up for success in 2022. It’s been two years since I’ve been to an in-person convention. I’m so out of practice preparing for it physically and mentally. Don’t get me started on the idea of pitching my novels. My steel trap is rusted shut and I don’t remember how to people. Plus I’m going to have the added complication of a mask. But then there’s the small fact that...

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