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Author, Editor, Media Tie-In Writer

Bubble and Squeek - The Melissa Allen Edition

I’ve been writing a lot on Project Joe. I also just taught at Foolscap and was the writer GoH at RadCon. So, there’s not much to report except that I’m working lots. In lieu of new content, here’s the great big awesome Melissa Allen trilogy round up Bubble & Squeek.

For NEVER LET ME SLEEP, I wrote for SFSignal and Chuck Wendig.


For NEVER LET ME LEAVE, I wrote for Wag the Fox and Damien G. Walter and had an interview with Spotlight Radio.


For NEVER LET ME DIE, I wrote for Jim Hines.


For NEVER LET ME, the omnibus, I wrote for John Scalzi and Mary Robinette Kowal.

Not a bad list of links, if I do say so myself.

Meet Jennifer Brozek

Jennifer Brozek is a multi-talented, award-winning author, editor, and media tie-in writer. She is the author of Never Let Me Sleep and The Last Days of Salton Academy, both of which were nominated for the Bram Stoker Award. Her YA tie-in novels, BattleTech: The Nellus Academy Incident and Shadowrun: Auditions, have both won Scribe Awards. Her editing work has earned her nominations for the British Fantasy Award, the Bram Stoker Award, and the Hugo Award. She won the Australian Shadows Award for the Grants Pass anthology, co-edited with Amanda Pillar. Jennifer’s short form work has appeared in Apex Publications, Uncanny Magazine, Daily Science Fiction, and in anthologies set in the worlds of Valdemar, Shadowrun, V-Wars, Masters of Orion, Well World, and Predator.

Jennifer has been a full-time freelance author and editor for over seventeen years, and she has never been happier. She keeps a tight schedule on her writing and editing projects and somehow manages to find time to teach writing classes and volunteer for several professional writing organizations such as SFWA, HWA, and IAMTW. She shares her husband, Jeff, with several cats and often uses him as a sounding board for her story ideas. Visit Jennifer’s worlds at jenniferbrozek.com or her social media accounts on LinkTree.

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Her malady—nightmares that left her bloody—seemed, at first, to be a common self-harm complex. Then I looked at the wounds. The mind is powerful, but I have never seen the mind create wounds like these. Little did I know her wounds were just the first of many mysteries I would face while caring for Josephine. –Jennifer Brozek, To Fight the Black Wind Not all patients can be cured—or want to be. Psychologist Carolyn Fern’s newest patient suffers from nightmares that leave glyph-shaped wounds across her skin. The case is odd, even for an institution like Arkham Sanatorium, where the unusual becomes the everyday. Things become even more complicated after the young woman claims to have met Malachi—Carolyn’s former patient whose treatment was cut short when he was brutally murdered—in her dreams. What is the link between the two, and how can Carolyn help a patient who, it seems, does not...

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What is FCI? It’s my term for three of the most wonderful things in life:  fantasy, creativity and imagination.  Life is a serious business.  We have to be deeply grounded in reality.  But life is also incredibly complex.  It’s made up of matter and the rules that govern matter, and it’s also made out of emotion, thought and desires that all affect one another in sometimes unpredictable and immeasurable ways.  In a complex world, FCI is one of the best tools to help us negotiate them all and find our place in life.  My blog, Caution: Adults Playing, is where I take the misconceptions around FCI seriously, while having fun playing with them.  There is an oppression of young people, and an oppression of adults.  Like you can insult a man by comparing him to woman when you believe women are less than men, you can insult an adult by...

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