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Author, Editor, Media Tie-In Writer

Tell Me - Loren Rhoads

Have you ever gotten out of a relationship and wondered if the other person had been in the same relationship? Or if he had a completely different relationship with you than the one you thought he had?

That was my premise when I started Kill By Numbers.

At the end of The Dangerous Type, the first book in my space opera trilogy, Raena Zacari is free of the Imperial torturer who trained her. She’s left the woman she’s loved most in the galaxy and the man who spent decades believing he loved Raena more than anyone. She’s ready to start a new life on her own.

Then the nightmares attack. They begin as if she’s reliving a memory, then spin off into new directions. Almost every dream ends with her ex-lover trying to save her – and every time, she doesn’t recognize him until after she’s killed him.

So many books are written about when the characters fell in love. I wanted to explore the end of a relationship: How do you recover? What do you owe someone after everything dissolves? What if the memories that mean so much to you meant something entirely different to your other half? What if someone was willing to risk everything to save you, whether you wanted to be rescued or not?

They weren’t questions I was used to seeing in science fiction. We’re all too familiar with the damsel who needs to be saved (I’m thinking of the original Sarah Connor) – or the strong leader who falls in love in the heat of the battle. (That’s you, Princess Leia.) So many stories end with the heroine surviving merely to settle down with the only person who understands what she’s been through. (I’m looking at you, Katniss.) I wanted to spin the tropes so that the protagonist never thought she needed rescuing and the “hero” wasn’t a nice guy.

One of the things that struck me as I was writing Kill By Numbers was the speculation that a nice guy does things not because he genuinely likes a girl and wants to help her, but because if he holds the door for her and makes her dinner and listens when she’s sad and treats her like a friend, she will reward him with sex. Friendship isn’t his goal. It’s a calculated means to an end.

That theory explained so many of the relationships I had when I was younger. It pointed up a fundamental schism in the definition of friendship between two people – and I don’t believe it breaks down simply along gender lines.

So while Kill By Numbers is about learning to fit in after all the rules have changed, and what would happen if the chief stardrive technology in the galaxy has a catastrophic flaw, and an exploration of the responsibilities and integrity of journalists, and what’s it like to recover from years of violence and manipulation to claim your survival as a triumph, it’s also a deconstruction of the end of love.

Because why jam your story into one simple box?


Loren Rhoads is the author of The Dangerous Type, Kill By Numbers, and No More Heroes — the In the Wake of the Templars trilogy — all published by Night Shade Books in 2015. You can find out more at www.lorenrhoads.com.

What is the “Tell Me” guest blog? It is a 400-600 word (more if you need it) blog post where you tell me something about your project. Tell me why you did it. Or what inspired you. Or something that you’ve always wanted to tell the world about the project. Tell me why you love it. Or hate it. Or what you learned. Tell me anything you want. I’m listening….

Meet Jennifer Brozek

Jennifer Brozek is a multi-talented, award-winning author, editor, and media tie-in writer. She is the author of Never Let Me Sleep and The Last Days of Salton Academy, both of which were nominated for the Bram Stoker Award. Her YA tie-in novels, BattleTech: The Nellus Academy Incident and Shadowrun: Auditions, have both won Scribe Awards. Her editing work has earned her nominations for the British Fantasy Award, the Bram Stoker Award, and multiple Hugo Awards. She won the Australian Shadows Award for the Grants Pass anthology, co-edited with Amanda Pillar. Jennifer’s short form work has appeared in Apex Publications, Uncanny Magazine, Daily Science Fiction, and in anthologies set in the worlds of Valdemar, Shadowrun, V-Wars, Masters of Orion, Well World, and Predator.

Jennifer has been a full-time freelance author and editor for over seventeen years, and she has never been happier. She keeps a tight schedule on her writing and editing projects and somehow manages to find time to teach writing classes and volunteer for several professional writing organizations such as SFWA, HWA, and IAMTW. She shares her husband, Jeff, with several cats and often uses him as a sounding board for her story ideas. Visit Jennifer’s worlds at jenniferbrozek.com or her social media accounts on LinkTree.

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