Get a free story when you subscribe

Author, Editor, Media Tie-In Writer

Tell Me – Tina Shelton

A Girl and her Rocketship: The Making of The Corsican

No one ever accused The Corsican of being a pretty project. My previous experience with writing had never been anything focused. You know the story; the first four chapters spring forth like Athena from Zeus’s forehead. Then one day you wake up and roll over and the story just isn’t as pretty as it was at three in the morning. You slip away unnoticed, and you never call, and you never write.

Not this time.  I had a directive, given to me by a friend. “Write a story,” she said. And I did. Then what? My project moldered in the ‘holding phase.’ I learned about the joys and pains of waiting to see if my story was accepted. Rejection is a terrible force, but sometimes it can galvanize you.

One day, having just finished an appointment in the unemployment office, my phone rang. My manuscript had been accepted by Anacrusis Press! I was so excited I shook. I had made it past the barrier! The moment felt like I had broken a ribbon, and finished the race.  What I didn’t realize at the time was that this marked where the race began! Pick up any book and you can see how much work has gone into it. Cover art, the font, the inside cover. Not to mention things like distribution channel and percentages.

No one tells authors that they are a small business creating a product line. Anyone knowing a writer knows how far and fast they’ll run screaming if they have to think about their baby as a product.

After suffering the slings and arrows of being a commodity, I’ve learned that marketing is in fact a necessary evil. I have learned how to figure out my target audience. I have learned that I love writing enough to brave a spot on the social stage. Writers tend to need their introverted nature to withstand sitting for hours in front of a computer, turning caffeine into words. It’s a system shock to discover they need other people in order to have an audience.

Stories aren’t meant for an audience of one, after all. No matter how desperately a writer loves their world, at the end of the day they want others to love it too. That desire, more than anything, drives a person to want to be published, to want to put their story on the world market and see how well it does.

Writing a book is an experience that goes on forever. From the first penned word to the special edition with alternate cover, this process transforms the readers and the writers. I loved the challenge of it. I loved it so much that I’m in the middle of editing rounds for my second novel. With luck it should be published around September. From there, who knows where I’ll go? After all, I have a rocketship to take me there.


Born in Wyoming, Tina Shelton started writing stories in kindergarten and never stopped. Her love of stories grew as she did, taking her to far off planets and mythic realms of magic and swords. She moved to Washington in 1994 and felt instantly at home in the urban sprawl of Seattle. Her storytelling methods were expanded by a group of like minded fiction enthusiasts she met soon after her move. Today she lives in a large town that thinks it’s a city with her husband Luke and son Toby.

What is the “Tell Me” guest blog? It is a 400-600 word (more if you need it) blog post where you tell me something about your project. Tell me why you did it. Or what inspired you. Or something that you’ve always wanted to tell the world about the project. Tell me why you love it. Or hate it. Or what you learned. Tell me anything you want. I’m listening….

Meet Jennifer Brozek

Jennifer Brozek is a multi-talented, award-winning author, editor, and media tie-in writer. She is the author of Never Let Me Sleep and The Last Days of Salton Academy, both of which were nominated for the Bram Stoker Award. Her YA tie-in novels, BattleTech: The Nellus Academy Incident and Shadowrun: Auditions, have both won Scribe Awards. Her editing work has earned her nominations for the British Fantasy Award, the Bram Stoker Award, and multiple Hugo Awards. She won the Australian Shadows Award for the Grants Pass anthology, co-edited with Amanda Pillar. Jennifer’s short form work has appeared in Apex Publications, Uncanny Magazine, Daily Science Fiction, and in anthologies set in the worlds of Valdemar, Shadowrun, V-Wars, Masters of Orion, Well World, and Predator.

Jennifer has been a full-time freelance author and editor for over seventeen years, and she has never been happier. She keeps a tight schedule on her writing and editing projects and somehow manages to find time to teach writing classes and volunteer for several professional writing organizations such as SFWA, HWA, and IAMTW. She shares her husband, Jeff, with several cats and often uses him as a sounding board for her story ideas. Visit Jennifer’s worlds at jenniferbrozek.com or her social media accounts on LinkTree.

Browse the archives

You may also like...

Andrew Williams from Journeys in Color Photography is a local Seattle photographer who recently did my new, amazing headshots. He travels. He’s wonderful. He’s open to new clients. I can’t recommend him enough. Below, he talks about taking photographs of cosplayers. —On Cosplay Photography I first got serious about photography around four years ago. As a writer, I frequently wrote about places I traveled, and I wanted good pictures to accompany articles and blog posts. Among the places my travels took me was science fiction and fantasy conventions. I’ve always been a fan, but I missed out on conventions in my childhood, mostly because I wasn’t aware of them—or if I was, I’d been conditioned to think of them as places for total geeks. (This was back before being a geek was cool, and I didn’t yet have the self-confidence to revel in being different.) But as I began writing...

scroll-horizontal

Last night, I went to the SFWA Reading to see my friends Josh Vogt, Greg Bear, and Tod McCoy read. I realized something: I’d missed my SFWA community. These are people I only see at conventions and SFWA events. I’d been so busy with my own stuff lately, and needed some distance from the organization after I stepped down as a Director-At-Large, that I’d pulled away too much. That was the wrong approach, but I suppose it was one I needed at the time. It’s hard to express just how good it feels to be in a room full of like-minded people who all understand why losing one of the greats like Ursula K. Le Guin is such a tragedy or why naming Peter S. Beagle as SFWA’s newest Grand Master is such a joy. So many of the people I met up with last night are at various points...

scroll-horizontal